Acting Together: Performance and the Creative Transformation of Conflict is a two-volume work describing peacebuilding performances in regions beset by violence and internal conflicts. Volume I, Resistance and Reconciliation in Regions of Violence, emphasizes the role theatre and ritual play both in the midst and in the aftermath of direct violence, while Volume II, Building Just and Inclusive Communities, focuses on the transformative power of performance in regions fractured by "subtler" forms of structural violence and social exclusion.
Volume I: Resistance and Reconciliation in Regions of Violence focuses on the role theatre and ritual play both in the midst and in the aftermath of violence. The performances highlighted in this volume nourish and restore capacities for expression, communication, and transformative action, and creatively support communities in grappling with conflicting moral imperatives surrounding questions of justice, memory, resistance, and identity. The individual chapters, written by scholars, conflict resolution practitioners, and artists who work directly with the communities involved, offer vivid firsthand accounts and analyses of traditional and nontraditional performances in Serbia, Uganda, Sri Lanka, Palestine, Israel, Argentina, Peru, India, Cambodia, Australia, and the United States.
Complemented by a website of related materials, a documentary film, Acting Together on the World Stage, that features clips and interviews with the curators and artists, and a toolkit, or "Tools for Continuing the Conversation," that is included with the documentary as a second disc, this book will inform and inspire socially engaged artists, cultural workers, peacebuilding scholars and practitioners, human rights activists, students of peace and justice studies, and whoever wishes to better understand conflict and the power of art to bring about social change.
The Acting Together project is born of a collaboration between Theatre Without Borders and the Program in Peacebuilding and the Arts at the International Center for Ethics, Justice, and Public Life at Brandeis University. The two volumes are edited by Cynthia E. Cohen, director of the aforementioned program and a leading figure in creative approaches to coexistence and reconciliation; Roberto Gutiérrez Varea, an award-winning director and associate professor at the University of San Francisco; and Polly O. Walker, director of Partners in Peace, an NGO based in Brisbane, Australia.
Contributing Authors: Catherine Filloux, Roberta Levitow, Ruth Margraff, Dijana Milošević, Charles Mulekwa, Abeer Musleh, Aida Nasrallah, Madhawa Palihapitiya, Lee Perlman, Roberto Gutiérrez Varea, and Polly O. Walker. Foreword by John Paul Lederach. Preface by Roberta Levitow. Afterword by Devanand Ramiah.
Editors (also contributing authors): Cynthia E. Cohen is director of the Program in Peacebuilding and the Arts at the International Center for Ethics, Justice, and Public Life at Brandeis University. Cohen has worked in collaboration with Theatre Without Borders on this project since 2005, and has facilitated coexistence efforts involving participants from the Middle East, the US, Central America, and Sri Lanka. Roberto Gutiérrez Varea is a dramaturg, producer, and director, and the founder of several community-based performance collectives. His research and creative work focuses on live performance as a means of resistance and peacebuilding in the context of social conflict and state violence. He is associate professor of performing arts and social justice at the University of San Francisco. Polly O. Walker is an assistant professor of peace and conflict studies at Juniata College in Huntingdon, Pennsylvania. Previously awarded the University of Queensland Postdoctoral Research Fellowship for Women, she conducted research on the role of memorial ceremonies in transforming conflict involving Indigenous and Settler peoples in the US and Australia.
Advance Praise:
"Acting Together places before us the human story unfolding. It invites us to penetrate through the mask to the source and the vibrating essence of voice on the journey to find our way back to humanity."
—John Paul Lederach, Professor of International Peacebuilding, University of Notre Dame
"An invaluable resource for the community of practitioners, students, scholars, and activists who are interested in the role of the arts in overcoming the worst of contemporary violence, war, and disaster."
—James Thompson, Professor of Applied and Social Theatre, University of Manchester
"Thanks to the vision and the courageous creativity of the theatre artists across the world who have been willing to share their practice, we in Northern Ireland have new tools to help us excavate our truths and our troubled pasts, to speak to them and to dare to envision a future where our broken world will be healed."
—Pauline Ross, Artistic Director, Derry Playhouse, Northern Ireland
"This book opens even narrowly focused minds to understanding how our global capacity to dream, touch, dance, and feel is a power source, one able to move people from what they know to what they can know, from what they have been told or forced to be to what they can become. For those of us working on the frontline of conflict resolution and reconciliation, this book demonstrates a universal that should and can be understood by students, practitioners, teachers, and the world at large."
—Dee L. Aker, Deputy Director, Joan B. Kroc Institute for Peace & Justice, University of San Diego
"This publication is long overdue and will serve theatre students, directors, foundations, community-based theatres, and artist-based theatres as a much-needed guide to the complex, multilayered world of intercultural performance and conflict resolution."
—Frank Hentschker, Executive Director, Martin E. Segal Theatre Center, The CUNY Graduate Center
"A significant addition to an emerging field of expertise—performance and conflict. It is difficult not to be inspired by the sheer diversity and versatility of the practices explored."
—Michael Balfour, Chair in Applied and Social Theatre, Griffith University, Queensland, Australia
"Acting Together will shift perspectives and change lives. It could transform the trajectory of human conflicts."
—Dr. Michelle LeBaron, University of British Columbia School of Law, Canada
"Justice before reconciliation! Truth commissions, criminal trials, and the payment of reparations to victims, alongside amnesty for certain categories of perpetrators, provide the foundation upon which the long-term process of reconciliation can begin. But by what means can lasting peace and security be achieved? In this book, Cohen, Varea, and Walker provide us with an awe-inspiring array of creative gestures designed to do just that. I strongly recommend this text to all those who are actively engaged at a grassroots level in promoting coexistence, and to those engaged in the advanced study of this most important of topics."
—Ian McIntosh, Director of International Partnerships, Office of International Affairs, Indiana University
Foreword: Acting Together on the World Stage
by John Paul Lederach
Preface: Lights in the Darkness
by Roberta Levitow
Acknowledgments
Contributors
Introduction: Setting the Stage
by Cynthia E. Cohen, Roberto Gutiérrez Varea, and Polly O. Walker
SECTION I: Singing in the Dark Times: Peacebuilding Performance in the Midst of Direct Violence
Introduction to Section I
by Cynthia E. Cohen, Roberto Gutiérrez Varea, and Polly O. Walker
Chapter 1. Theatre as a Way of Creating Sense: Performance and Peacebuilding in the Region of the Former Yugoslavia
by Dijana Milošević
Chapter 2. Theatre, War, and Peace in Uganda
by Charles Mulekwa
Chapter 3. The Created Space: Peacebuilding and Performance in Sri Lanka
by Madhawa Palihapitiya
Chapter 4. Theatre, Resistance, and Peacebuilding in Palestine
by Abeer Musleh
Chapter 5. Weaving Dialogues and Confronting Harsh Realities: Engendering Social Change in Israel through Performance
by Aida Nasrallah and Lee Perlman
SECTION II: Holding Fast to the Feet of the Rising Condor: Peacebuilding Performance in the Aftermath of Mass Violence
Introduction to Section II
by Cynthia E. Cohen, Roberto Gutiérrez Varea, and Polly O. Walker
Chapter 6. Fire in the Memory: Theatre, Truth, and Justice in Argentina and Peru
by Roberto Gutiérrez Varea
Chapter 7. Hidden Fires: PeaceWorks' Invocations as Žižekian Response to the Gujarat Massacres of 2002
by Ruth Margraff
Chapter 8. Alive on Stage in Cambodia: Time, Histories, and Bodies
by Catherine Filloux
Chapter 9. Creating a New Story: Ritual, Ceremony, and Conflict Transformation between Indigenous and Settler Peoples
by Polly O. Walker
Afterword
by Devanand Ramiah
Presentation of Volume II
Notes
Bibliography
Credits
Index